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	<title>josh writes a blog &#187; calexico</title>
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	<description>the current and continual leader of the josh belville all-stars!</description>
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		<title>various recommendations and whatnot</title>
		<link>http://zornog.net/blog/2008/09/various-recommendations-and-whatnot/</link>
		<comments>http://zornog.net/blog/2008/09/various-recommendations-and-whatnot/#comments</comments>
		<pubDate>Mon, 15 Sep 2008 22:42:00 +0000</pubDate>
		<dc:creator>Josh</dc:creator>
				<category><![CDATA[acting]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[calexico]]></category>
		<category><![CDATA[dexter]]></category>
		<category><![CDATA[job-hunting]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[plays]]></category>
		<category><![CDATA[playwriting]]></category>
		<category><![CDATA[theatre]]></category>

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		<description><![CDATA[My brother has season 1 and 2 of Dexter, and we spent most of Saturday watching the entire second season in anticipation of season 3. I&#8217;m surprised how much I enjoy that show. From a theatrical standpoint, it follows a lot of thematic things that we used to talk about in Play Analysis class. I [...]]]></description>
			<content:encoded><![CDATA[<p>My brother has season 1 and 2 of Dexter, and we spent most of Saturday watching the entire second season in anticipation of season 3.  I&#8217;m surprised how much I enjoy that show.  From a theatrical standpoint, it follows a lot of thematic things that we used to talk about in Play Analysis class.  I never thought that would ever happen.  Like, for example, every character in the show has something to hide or sublimate.  I used to scoff at the idea of every character in a play having the same fundamental action or motivation, because I thought it was impossible.  But I see it in Dexter.  Michael Hall is a fantastic actor.  It&#8217;s amazing how well he can convey warmth in a serial killer.  I think it has something to do with his morals that allows us to go with him.  I mean if he were just a cold-blooded serial killer, that would be one thing, but he has feelings (even though he says he doesn&#8217;t) and he truly loves the people around him, even if they&#8217;re keeping him from being what he thinks he is, which is a cold-blooded serial killer.</p>
<p>God, that show is just really well put together.  I&#8217;d delve into it more specifically but I don&#8217;t want to ruin any plot points for those of you who haven&#8217;t seen it.  Get it on Netflix or buy it or whatever.  It&#8217;s good.  Even the voiceover is good, and I hate voiceovers.  The only time voiceover works is when the character says one thing while the opposite is happening on screen, and thankfully that happens a lot on Dexter.  It&#8217;s very good.  Plus the second season has Jaime Murray in it (she plays Lila) and she is a hot, hot English woman and she&#8217;s naked or almost naked most of the season.  It&#8217;s great.</p>
<p>The third season starts in like two weeks!  I&#8217;m excited.</p>
<p>Right now I&#8217;m listening to the new Calexico album and I really enjoy it.  It&#8217;s called <span style="font-style:italic;">Carried to Dust</span> and it&#8217;s a lot more Latin feeling than their last album.  I wasn&#8217;t a huge Calexico fan before but I think this album will be listened to a lot.</p>
<p>ummm, that&#8217;s about it right now, really.  I&#8217;m still job hunting.  Oh, I have an audition for a play in a week or so!  It&#8217;s a new play by local Portland playwright Helen Hill.  She was kind enough to send me a copy of the play to read before the audition and I have to say it&#8217;s pretty good.  I think it could use a polish or two with regards to dialogue and scene stuff, but that might get fixed in rehearsal.  And even if it doesn&#8217;t it&#8217;ll still be a good production, hopefully.  It pays well enough.  Assuming I rock the audition.  It&#8217;s about eugenics in the 1920s through the 60s.  The play primarily takes place in 1934 and is about a doctor who sterilizes poor, &#8220;feeble-minded&#8221; people so they won&#8217;t reproduce.  It raises some interesting questions, primarily about the morality of eugenics and a somewhat elitist take on &#8220;survival of the fittest&#8221;; namely, the question of what it means to be the &#8220;fittest.&#8221;  The script right now to me seems a bit too dry and presentational but it can be limbered up in rehearsal.  I think it&#8217;s a solid premise though, and none of the characters are too obtuse or two-dimensional, with the slight exception of the doctor, who doesn&#8217;t really offer any good human explanation for why he cuts out poor women&#8217;s ovaries other than that they&#8217;re a blight on society (poor women, not ovaries).  Again, if given the opportunity to discuss the play in a development session, I will bring this up, but other than that I just want to act and get paid for it, honestly.  I think it&#8217;s a good show and I think people will like it.</p>
<p>My only problem is that I left all my playbooks in Boise.  The only play I have here is The Glass Menagerie.  Why I have it, I don&#8217;t know, but it looks like I&#8217;ll be pulling out a Tom monologue with some Shakespeare backups.  Boy oh boy.</p>
<p>(Seriously though, it would rock if I got cast in this show, so send some good vibes if you got &#8216;em)</p>
<p>The job hunting still sucks.  I have sent resumes to tutors and people who want someone to teach guitar to middle school kids for a couple of weeks, and receptionists, and etc etc etc.  I really don&#8217;t want a shitty job and I feel like I&#8217;m in a good place to pace myself a little bit (not a lot, though, but at least my brother and his wife aren&#8217;t really living paycheck to paycheck&#8230;).  Hopefully something good and achieveable will come up soon.  Again, more good vibes!</p>
<p>That&#8217;s all for now!</p>
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